this four-part work manifests
the concept of scores and scoring—
as it relates to drawing as a recording
process and visual (synaesthetic)
counterpoint to sound and sound
production in complex environments.

the Dwelling Series of drawings
(2000, 2006) are perhaps my earliest
exploration of visual forms that suggest
a concomitant sonic equivalent.

these and similar ideas surfaced again
in mixed media works executed
during the COVID-19 pandemic.